{"id":322,"date":"2012-07-22T09:58:02","date_gmt":"2012-07-22T09:58:02","guid":{"rendered":"http:\/\/musikzeit.at\/musikzeitneu\/?page_id=322"},"modified":"2013-04-24T20:13:41","modified_gmt":"2013-04-24T20:13:41","slug":"2009-10-wege-elektronischer-musik","status":"publish","type":"page","link":"http:\/\/musikzeit.at\/musikzeitneu\/?page_id=322","title":{"rendered":"2009-10 Wege elektronischer Musik"},"content":{"rendered":"<p>50 Jahre elektronische Musik \u2013<br \/>\nerweiterte Realit\u00e4t \/ unendliche Spielwiese \/ Parallel-Universum?<br \/>\n(<em>Johannes Kretz<\/em>)<\/p>\n<p>Die \u201aGroupe de Recherches Musicales\u2018 des<br \/>\n\u201aInstitut National de l\u2019Audiovisuel\u2018 in Paris \u2013<br \/>\n(<em>Daniel Teruggi<\/em>)<\/p>\n<p>Der lange Weg zur \u201aKlangkunst\u2018<br \/>\n(<em>Dieter Kaufmann<\/em>)<\/p>\n<p>Institutionen elektronischer Musik:<br \/>\n1. Wien \u00a0(<em>Karlheinz Essl, Johannes Kretz, Peter Mechtler \/ Stefan Jena<\/em>)<br \/>\n2. St. P\u00f6lten \u00a0(<em>Hannes Raffaseder<\/em>)<br \/>\n3. Linz \u00a0(<em>Alfred Peschek, Rainer Hauptmann<\/em>)<br \/>\n4. Salzburg \u00a0(<em>Klaus Ager, Achim Bornhoeft<\/em>)<br \/>\n5. Graz \u00a0(<em>Winfried Ritsch<\/em>)<\/p>\n<p>Freie Szene elektronischer Musik:<br \/>\n&#8211; Hype in den 90er Jahren (<em>Michael Ternai<\/em>)<br \/>\n&#8211; Schillernde Zwischenwelten (<em>Pia Palme<\/em>)<br \/>\n&#8211; \u201eGer\u00e4uschsymphonie a\u201c 1951 (<em>Gerhard R\u00fchm<\/em>)<\/p>\n<p>Portrait: Gerhard E. Winkler \u2013<br \/>\nIch arbeite gerne mit Widerspr\u00fcchen<br \/>\n(<em>Gespr\u00e4ch m<\/em>it <em>Daniel Ender<\/em>)<\/p>\n<p>etc. \u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>50 Jahre elektronische Musik \u2013 erweiterte Realit\u00e4t \/ unendliche Spielwiese \/ Parallel-Universum? (Johannes Kretz) Die \u201aGroupe de Recherches Musicales\u2018 des \u201aInstitut National de l\u2019Audiovisuel\u2018 in Paris \u2013 (Daniel Teruggi) Der lange Weg zur \u201aKlangkunst\u2018 (Dieter Kaufmann) Institutionen elektronischer Musik: 1. &hellip; <a href=\"http:\/\/musikzeit.at\/musikzeitneu\/?page_id=322\">Weiterlesen <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"class_list":["post-322","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=\/wp\/v2\/pages\/322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=322"}],"version-history":[{"count":8,"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=\/wp\/v2\/pages\/322\/revisions"}],"predecessor-version":[{"id":768,"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=\/wp\/v2\/pages\/322\/revisions\/768"}],"up":[{"embeddable":true,"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=\/wp\/v2\/pages\/31"}],"wp:attachment":[{"href":"http:\/\/musikzeit.at\/musikzeitneu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}